Architectural form lives a number of mysterious lives that are characterized by different yet simultaneous temporalities. It has been said that a “secret date” exists between the modern and the archaic, not so much because the modern is fascinated by the archaic but because “the key to understanding the modern is hidden somewhere beneath the timeless and the pre-historical.” The mystery surrounding the intellectual sources in the architect’s work arguably lies in the multifaceted (aesthetic, sociological, political, spatial) relationships it establishes with a multitude of friends - be they artists, poets, or architects - who are responsible for his development and keep feeding his practice, even if long dead.

The main idea behind the Métropole Rouen Normandie headquarters project by Jacques Ferrier Architecture was to unite all the “energy” that is found in this port site in France. While taking inspiration from the paintings of Claude Monet, especially of the Rouen Cathedral, the façades of the building were designed to be able to constantly change color depending on day, season, and time. The design is aimed at maximum efficiency and comfort of the offices inside. An innovative and exemplary building that is also easy and intuitive to navigate.

The 2017 edition of the Chicago Architecture Biennial, Make New History, like any other similar event, has caused debate and controversy. Beyond inevitable flaws and shortcomings, the CAB though deserves to be appreciated for the quality of most of the exhibited projects, works or installations, some of which managed also to offer what was missing in this CAB’s main theme: a critical perspective. The theme itself of the CAB is challenged, but the good works of many international architects and artists, well selected by the Artistic Directors Sharon Johnston and Mark Lee, is appreciated for their contributions to a critical discourse in our field, for their “critical stories.” Through a discussion of the curators’ hypothesis and of some of the most interesting works, as well as of some critical contributions included in the exhibition catalog, this review tries to offer a critical assessment for an event that, fortunately, has already acquired an outstanding position within the architecture cultural landscape of our time.

The socio-economic impact of nature in Belgian coastal landscapes on a regional scale is high due to their general attractiveness for visitors, their strongly developed tertiary service economy and other related sectors (tourism, residential, agriculture…). Due to climate changes however, these coastal landscapes and their required accessibility and continuous character are threatened by the unavoidable planned infrastructures (dikes, new connections, floodable areas, etc.) that will generate ruptures, frictions and additional transition spaces within the landscape. Flanders urgently needs to unfold policies and strategies to avoid or reduce the undesirable effects of the expected changes. Influential changes for the coastal zone will be sea level rising, increasing temperature, changing rainfall patterns, floods, fragmented ecological system, salinization, and reduced drainage capabilities to sea. A thoughtful planning policy forms the necessary key to a sustainable development. Policies and plans lead to the formulation of spatial proposals for mitigation and adaptation, to be executed by major infrastructural works planned for the next decades. Most of these infrastructures, conceived at a large scale, generate a different model of accessibility for the Flemish Coastal landscape.

In the aftermath of the December 2004 tsunami, an unprecedented natural disaster that disproportionately affected the impoverished and conflict-ridden eastern coast of Sri Lanka, the outpouring of disaster relief and support for housing reconstruction was primarily led by international aid organizations for the erection of capital-intensive dwellings to allow for immediate habitation. Three case studies representative of significant housing typologies deployed since the tsunami are investigated: two global prototypes sponsored by foreign aid, and one informal, vernacular construction. We argue that in Sri Lanka the aid-housing-as-commodity paradigm - which in its specificity and immutability disregards the robust tradition of integration between natural and built environments and between individual and community - represents an increasingly and unsustainably risky expenditure of capital resources due to the likelihood of more frequent disasters in coastal zones. We argue for a shift toward spatial frameworks, not static prototypes, which take into account that the longer temporal dimension of rebuilding community and housing after a natural disaster is not necessarily synonymous with expensive, structurally robust building practice. 

The essay investigates coastline development along the southern area of the Albanian Riviera, introducing the concepts of “landscape fragments” and “landscape within a landscape” as design methodologies. By speculatively reversing the order of landscape perception from land to water, the coastline becomes a flexible device capable of responding to unpredictable future events - natural disasters related to climate change (rising sea levels), or globally challenging socio-political phenomena (such as mass migration growing in scope, complexity and impact). The experimental design approach involves the design and representation of an incremental waterscape. By reversing the morphological perception of the coastal landscape and making a set of tactical selections in natural and artificial landscapes, the students highlighted the territory’s potential. With new awareness, they proposed site-specific interventions along the coast and inland, re-territorializing the “apparent tabula rasa” and demonstrating the coastline’s potential dynamic reaction to environmental challenges.

Over time, the Belgian coast has developed into a hard-engineered straight defence line - from the sea inwards - of flat beaches, dykes and a storm wall that is reaching its capacity limits. New plans are being developed in some parts of the coast aiming to raise the storm walls up to “acceptable” levels, based on climate change and sea level rise predictions. This follows the trends of raising river protection walls, but continuously insists on the linear urban structure of the coastline: beaches, dyke, urbanization wall on the dunes and housing proliferation into the back polders. These are often low-quality holiday houses built for the summer season rush. This essay investigates an alternative future for the Belgian coast through research-by-design. The design exploration proposes to seize the opportunity of the increased peril, predicted from climate change and subsequent sea level rise. Furthermore, it proposes a shift from hard to soft engineering and a dynamic tidal landscape within which the tourism economy is reinvented.

The geography of a coastal city, such as its native geological, biological, and physical conditions, plays an important role in understanding the impacts of climate change upon the area. To better identify strategies for adaption to global climate change, planners and designers need better tools and techniques to learn and analyze the geographical context of their cities on coastlines worldwide. This article describes an urban design studio conducted in the spring of 2014. Students in this class explored the future of North Carolina coastal cities in light of rising global sea level. Geodesign using GIS and other visualization tools enabled the students to focus on urban morphology, development patterns, and environmental characteristics of the city in order to identify new interventions that can support a new set of relationships between urbanity and nature.

The manuscript reflects on the delightful and absurd qualities that might be harbored in routine infrastructures. Through a series of contemporary and historical examples the paper highlights how experience, material quality, narrative, and civic engagement can unlock new potentials in the mundane, and often intangible systems, which are intended to protect and serve those in flood prone territories. Understanding first that resilient water-management infrastructures exist along a spectrum of defense, and second that they each participate in their own extensive system of flows and processes, generates a set of opportunities for designers to interject and draw out new possibilities. Locating projects within these systems calls for two approaches:
1. identifying the “objecthood” of infrastructure; and 2. techniques for “unblackboxing” or bringing parts of now hidden systems to the foreground of the civic realm. The paper suggests that these two approaches aid in locating the whimsical within systems and offer calculated ways to confront flood mitigation methods that all too often privilege what is deemed as efficient over what is enjoyable.

Human activity has been changing the surface of the earth for several thousand years. In recent decades, the rate of change however was accelerated in the Yangtze River Delta, propelled by China’s rapid and continually chaotic process of urbanization and industrialization. How can our cities eventually face haze, water pollution, soil contamination, and natural disasters caused by climate change? The challenge is indeed to explore how to achieve an ecological resilience by enhancing biodiversity and by reviving and revising productive landscape.

This paper originates from a Louisiana State University School of Architecture Research Studio. Charged by the organization’s Director, the students investigated the Louisiana Universities Marine Consortium (LUMCON) facility and environment, and re-imagined both the building and landscape as a cutting-edge (albeit remote) research and educational destination. “The SEA Is Coming” Integrative-Design Studio proposes adaptation to climate change as a means to investigate the transformative capacity of a site. Going far beyond the boundaries of current (and future) building program, the studio method provoked profound rethinking of current conventions about coastal change and occupancy, design, community, the environment, and land use. LUMCON’s facility sits at the nexus of deltaic land, freshwater, brackish wetland, and salty ocean and provides access to all these systems. It has withstood the volatility of this environment: flooding, hurricanes, oil spills, the Gulf dead zone, salt-water intrusion, etc. Now over thirty-years-old, the building must adapt to changing conditions. The studio investigated LUMCON’s ability to continue functioning in its changing environment and further its indispensable research capabilities of the rapidly changing coastal landscape.