We received and we gladly publish a contribution by distinguished author Prof. Botond Bognar. [MS]

ABSTRACT - The essay introduces the development of Sou Fujimoto’s architecture as it has been influenced by various sources and experiences leading to his recently completed and highly recognized major project, the  House of Hungarian Music in Budapest. Among these influences the contemporary economic and political conditions in Japan and beyond, as well as the nature-inspired work of prominent Japanese designers are discussed. Touching upon the seminal work by Tadao Ando and Toyo Ito, the essay also highlights the contrasts and occasional similarities between the so-called “White School” and “Red School” in contemporary Japanese architecture, in referencing nature as the primary source of their designs. Today, these “schools” are best represented, respectively, by the activities of SANAA and Kengo Kuma. Although Fujimoto’s architecture is clearly derivative and part of the radically minimalist White School, the House of Hungarian Music reveals an intimacy and richness 

in articulating its relationship to the surrounding natural environment, which quality, if perhaps momentarily, points beyond the minimalism of the “Whites.”

The human, environmental, and political impact of raw material resourcing throughout the global supply chain is a critical facet of any plan to confront accelerating climate change in the twenty-first century. Invoking the work of biologist Dr. Rhonda Patrick on autophagy, a mechanism through which mammalian bodies consume their own dead and dying cells to promote health and longevity, this essay explores the imaginary of Urban Autophagy as a mechanism through which the city can consume itself in order to grow. This essay presents a novel understanding of the limits of our natural resources and proposes a major shift in how we conceive of standard practices for sustainable development. First, this essay defines the model of Urban Autophagy; second, it surveys already-existing practices that support the model of Urban Autophagy; third, it presents a methodology that can be developed and expanded in order to introduce Urban Autophagy into standard practice; and finally, this essay argues for the implications of this approach toward a more ambitious stewardship of the environment and the health and longevity of our cities.

Since man first walked on the Moon, humanity has imagined inhabiting other planets, a dream fueled by fiction, architecture and folk art. Currently, there is a real commitment to begin exploring Mars in the next decade. In creating these expectations, the contributions of writers, architects and film directors have been necessary, all of whom have imagined these new cities beyond our planet. We will review the germinal proposals that have contributed to the construction of current space ideology, comparing them with recent proposals. The objective is to analyze these architectures in modern context, recognizing their contribution in the development of new ideas.

Space is relational. How many relationships can occupy a space? How do they work? These are both interesting questions that we would like to answer. We know that we interact with space and that its configuration affects us: we can be aggregative while experiencing it, rather than competitive. Space has considerable power in influencing our brain. Essentially, our actions are somehow manipulated by what we see and what we touch. How does our space (peripersonal space) interfere with another’s? The idea of interaction within space (or social space) and space of selfhood thus becomes an essential subject for architecture and cannot be simply parameterized in a geometric manner. Physical space must, therefore, allow solitary or cooperative movement without alienating the individual. We base our judgments on movement, culture, personal psychical characteristics, memory, and personal experience. Taking these elements as our base, we gave a new perspective for designers to draw from the semantic, which can be rhetorical and disconnected by the function.

Skyscrapers are disproportionate energy consumers and major sources of carbon emission in urban areas. To curtail carbon emission in cities, new ways of designing tall buildings must be developed. As a way of enhancing energy efficiency and reducing carbon emission, this study analyzes energy production potentials of alternative designs of building integrated PV systems. For the purpose of assessing the energy self-sustainability of the alternative PV systems designs, the current state of energy demands of high-rise buildings was investigated. The amount of solar energy that can be harnessed from PV panels installed on the roof and eight different configurations of PV integrated on the south façade of a 30 story building in New York was estimated, and its energy self-sufficiency was analyzed. It was found that, with the current level of energy consumption and PV efficiency, building integrated PV systems can meet about 6.8 % of the tall building’s energy self-sustainability and 11.2 % electricity self-sustainability. Significant reduction in energy demand is a prerequisite for moving toward near-zero or zero energy skyscrapers

This article presents a project vision whose aim is to underline the necessity to completely change the current world narrative and start a new one, fully compatible with the protection of the planet and all its inhabitants. The authors started from the meaning of “device” and its role in this new narrative: a new salvific “ark,” an ecological living machine able to restore the balance between the forms of anthropization and the planet. The New Arks replace the current crystallized devices, unable to efficiently answer to the needed shift, in order to preserve the human systems, attacked by new social, ecological, and health diseases. In this vision, within the New Arks human beings regain the “lost paradise” through changes such as the implementation of green areas and biodiversity, less housing density, eco-friendly mobility, energy supply and technologies, and sustainable agricultural production. The outcome of this vision suggests the birth of a “Neoland,” a transformed world system in which the union between the natural accident and the anthropic genesis leads to the start of a new ethical and ecological narrative.

The exodus of urban dwellers to suburbs and the countryside, dramatized by the pandemic, has both escalated the UHI effects of cities and expanded the carbon footprint at a greater pace, further contributing to the climate crisis. Traditional remedies to mitigate UHI are reactive to existing urban conditions and less well equipped to address the complex urban issues holistically at multiple levels. This design-based research explores topological transmutation as a twofold design approach. It aims at testing alternative design approaches of urban environments that will address UHI issues based on a holistic attitude toward ecological urbanism, while simultaneously investigating mutation as a design strategy that could renegotiate, reconnect, and recreate new centers of public space. Toledo, a legacy city in the Midwest, was selected as the model for this design-based research due to its intensifying social inequality and urban decay and climbing UHI effects. Prototypes of adaptable and sustainable design concepts were tested in selected sites representing typical urban situations. Urban interventions to the public space are envisioned to enrich everyday spatial experiences in the streets, neighborhoods, and the city.

Once a clinical cure for COVID-19 is found, which infection prevention practices – both social and spatial – might remain, and what long-term impacts will they leave? This article examines the interrelationships between airborne diseases, social practices, and the design of physical and digital infrastructures for cities. Historically, infectious diseases have left long-term imprints on cities, from plumbing to hospitals. Spatial practices to prevent infection, such as clear physical barriers and car-free streets for socializing, must be implemented with a close examination of impacts on the mental, social wellbeing of both individuals and the broader community. Prevention practices examined include the use of transparent barriers that separate and connect people, the increased use of open windows, the adaptation of sidewalks and roads for physically distant socializing, and spatial negotiation and trust-building that occur in public spaces. As cities make design and policy changes to protect their citizens from the invisible virus, they must be mindful of the imprints the physical, social, and policy changes have on comprehensive wellness and equity for all people.

In 2020, the presence of COVID-19 forced, among other serious reflections, a reevaluation of how university spaces are used and how higher education may achieve efficacy while protecting public health. This essay presents work from a Fall 2020 graduate studio at the University of Illinois at Urbana-Champaign that explores how the campus could adapt to the specifics of social distancing and offer new kinds of outdoor and indoor spaces for learning and living. From the materiality of the ground plane to the layout of campus residences, the projects reimagine the campus at the scales of the site, building, and rooms. While the built environment can be viewed as a passive backdrop (or worse, an active culprit) in public health crises, this studio argues that strategic and thoughtful design, anchored by distancing recommendations of the Centers for Disease Control and Prevention, could also be a remedy.