This study proposes utilizing AI text-to-image technology to project virtual multi-space onto the spatial operations of actual objects. The foundation of this research lies in demonstrating multi-space within urban game spatial practices. The interplay between actual and virtual notions of space recalls the multi-space concept. The actual-virtual relationship is infinite, potentially giving rise to virtual entities mirrored through spatial mechanisms and operations. Alun-alun, a public space in Indonesia, undergoes everyday time-based temporal-spatial alterations. Notably, it transforms into an imaginative game space at night. By constructing temporary spaces with simple game objects and mechanisms, we observe the potential for multi-space presence based on spatial operations. Generative AI, particularly text-to-image operations in architecture, can project game objects and their properties, revealing various virtual, imaginative multi-space alterations. The study’s findings contribute to expanding spatial design methods in architecture, envisioning collaboration between multi-non-physical spaces within the actual-virtual framework in a future digital realm.

As communities and design professionals confront complex cultural issues in planning, new tools are needed to introduce interdisciplinary cultural inquiry into urban design/planning. Reparative planning is premised on a reckoning with socio-economic and environmental decline through design of the built environment. Cultural mapping is necessary to both visibilize suppressed narratives behind decline and inequity, as well as underwrite new policy and development approaches. City in the Woods is a cultural mapping project that supports planning for Cherokee Village. Moving beyond the map as object to mapping as a process, we employed the deep map to sketch a memoir of place different from the disciplinary linearity found in conventional cartography. Cultural mapping animates diverse data sets through various visual literacies ranging from serial filmstrip narratives, to collages, thick description drawings that reconstruct lost local heritage landscapes, and geospatial mapping of the built environment. Change requires storytelling. This descriptive agency in planning, entailing collaboration between design professionals and community, models an equity-based approach beginning with stories that enable community self-advocacy, motivate institutional redesign, and construct new urban forms.

This article sets out to interrogate the exhibition as an essential form of critical discourse in architecture, looking at how it has engendered new conceptual and operative approaches to the vernacular notion. Focusing on the late 20th century, it explores how the exhibition space contributed to the praise of the vernacular as a valid design reference, by creating a platform for its renewed, consistent, and systematic reinterpretation. This praise did not entail the recovery of history but the redefinition of the relation between tradition and concepts of modernity, building and pre-existent context. The exhibition space thus served as a catalyst to the return of the vernacular model; it enabled new connections between project, travel, and theoretical discourse, engaging ever more international audiences. In recent exhibitions such a model manifests itself again through full-scale models, mock-ups, and pavilions that prioritize issues of materiality, construction, and experience. The article, ultimately, explores the vernacular as a cogent theme which may hold the key for a more inclusive, culturally-rooted, and holistic approach to the design of the built environment and its interpretation.

Throughout history, cities have always been extended towards the countryside without contemplating the other direction. While current urban farming practice tends to play a remedial role in our urban design processes and strategies, it is time for a paradigm shift between cities and the organic worlds that sustain them. Meanwhile, emerging eco-cities, such as the Masdar City project, were devised with ecological mechanisms almost exclusively driven by economic imperatives of the dominating political power. As posited by Federico Cugurullo, this kind of ecological modernization “does not change the traditional capitalistic patterns of production and consumption, and thus replicates the same environmental issues intrinsic to capitalism” (2016). This design research experiments ethnographic method in Toledo, Ohio, to generate urban farming prototypes as localized cultural practice. In response to the “Impossible Dream,” a new urban design initiative of the African American Legacy Project of Northwest Ohio, visual narratives of urban farming urbanism are created to address ecological urbanism and social-economic impacts, as well as building programming and cultural events initiatives, with a focus on public and interactive communal spaces. 

Urban development faces a critical choice between building cities from scratch and revitalizing existing urban areas. This paper examines this dichotomy in the context of rapid urbanization, climate change, and economic pressures. By analyzing the debate through economic, environmental, technological, and political lenses, the study explores the far-reaching implications of each approach. Cities built from scratch offer a blank canvas for implementing cutting-edge technologies and sustainable practices. However, they carry substantial financial risks and may intensify social inequalities. In contrast, upgrading existing cities can yield immediate benefits for current residents and preserve cultural heritage, though it may encounter obstacles in enacting broad changes. Political considerations often drive decisions in urban development. The choice between new city construction and urban revitalization can serve as a mechanism for national rebranding, redistributing power, or creating symbols of progress. This study aims to enhance the theoretical understanding of urban development strategies by critically examining the tension between de novo city creation and existing urban revitalization. 

Carlo Aymonino. Progetto Città Politica

By Orazio Carpenzano, Federica Morgia 

and Manuela Raitano (eds.)

Proceedings of the conference at

Sapienza Università di Roma, 23-24 june 2021

With essays by Rafael Moneo, Franco Purini, Jean-Louis Cohen et al.

Macerata, It.: Quodlibet, 2023

6 x 1 x 85/8 in. [15.1 x 2.4 x 21.9 cm]

131 illustrations (70 b&w, 61 color)

384 pages (paperback)

€28.00

April 26, 2023

ISBN-10: 8822920635

ISBN-13: 978-8822920638