Professor in Residence, Department of Architecture, GSD, Harvard University, Cambridge MA, USA
Medialab Prado, renamed “Espacio Cultural Serrería Belga” in 2022, originally emerged as a counter-narrative to Madrid’s cultural policies and the promotion of the “Paseo del Arte” for global tourism. It championed the production of art, science, and technology, advocating for the citizen’s right to shape the city, opposing the museumification of urban spaces. The 2022 transformation into an art gallery raises key questions about the motivations behind this change, why the building’s form was preserved but its principles discarded, and the broader implications for urban cultural policies. This research compares the building across its phases and examines narratives constructed by citizens, media and institutions. It argues that while the physical structure remains intact, the programmatic shift diminishes user engagement, moving from active participation to passive spectatorship. The findings reveal a shift from a determined physical community space to decentralized and virtual ones, reflecting broader trends in citizen engagement to a more transient and guerilla-like approach. The current situation is reminiscent of the original name proposed by Langarita-Navarro, “Street Fighter,” a call from the citizens for their right to decide.