THE PLAN Journal (TPJ) intends to disseminate and promote innovative, thought-provoking and relevant research, studies and criticism in architecture and urbanism. The criteria for selecting contributions will be innovation, clarity of purpose and method, and potential transformational impact on disciplinary fields or the broader socio-cultural context. The ultimate purpose of the TPJ is to enrich the dialog between research and professional fields, in order to encourage both applicable new knowledge and intellectually driven modes of practice. (Maurizio Sabini)

Latest Articles

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THEORY
Essay

American Mirror: the Occupation of the ‘New World’ and the Rise of Architecture as We Know It

by: Fernando Luiz Lara VOLUME 5/2020 - Issue 1 , Pages: 1 - 18 doi: 10.15274/tpj.2020.05.01.5, published: 2020-05-18

This paper argues that the rise of architecture as a unique discipline and the conquest of the American continent are not just chronological coincidences but interdependent variables of the same process of modernization. Traditional scholarship in architecture has not entertained those parallel developments at all. The field of architectural history and theory still treats the spatial occupation of the Americas as a consequence of the Renaissance and European modernization, despite a few decades of scholarly literature in related disciplines questioning such assumptions. (Fanon 1961; Said 1978; Dussel 1980; Bhabha 1987;  Escobar 1994). Such scholarship demonstrates that the encounter of 1492 and the territorial occupation that followed played a central role in the development of Western culture in general, allowing the extrapolation of the same logic to the architectural discipline in particular. 

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CROSS-DISCIPLINARY STUDIES
Article

Architectural Portraits: ῾The MIES Project’

by: Arina Dähnick VOLUME 5/2020 - Issue 1 , Pages: 1 - 22 doi: 10.15274/tpj.2020.05.01.4, published: 2020-05-14

This article wants to offer a brief overview of my experience as an architectural photographer and of “The Mies Project” in particular, on which I have been working on for the past few years. My approach to photography, based on the latest digital technology but also on the Leica M-System, is briefly outlined. In the past, the question was how to obtain information. Nowadays, the proper structuring of information is what really matters. Architectural Portraits, a small selection of which from “The Mies Project” are here presented, are “intimate gazes,” prioritizing the relationship of the detail of a building with its surrounding, the interaction between construction details, lighting and weather conditions. In this sense, Mies’ works not only have sparked my interest in architectural photography, but have been also the perfect poetic partner for my research.

 Open Access
CRITICISM
Book Review

Aldo Rossi: Representing Life

by: Raffaella Neri VOLUME 5/2020 - Issue 1 , Pages: 1 - 8 doi: 10.15274/tpj.2020.05.01.3, published: 2020-05-11


 

Aldo Rossi and the Spirit of Architecture

By Diane Y. F. Ghirardo

London: Yale University Press

254 mm x 203 mm

135 color + 5 b/w illustrations

280 pages

US$65 / £50.00 GBP (hardback)

ISBN: 978-0300234930

 

 Open Access
CRITICISM
Conference Report

Giancarlo De Carlo. A Symposium

by: Sara Marini , Marko Pogacnik VOLUME 5/2020 - Issue 1 , Pages: 1 - 18 doi: 10.15274/tpj.2020.05.01.2, published: 2020-05-11

 Open Access
EDITORIAL
Editorial

Beyond What Is Right

by: Maurizio Sabini VOLUME 4/2019 - Issue 2 [GENDER MATTERS], Pages: 269 - 271 doi: 10.15274/tpj.2019.04.02.13, published: 2020-02-07
 Open Access
Position Paper

Gender Matters. The Grand Architectural Revolution

by: Dörte Kuhlmann, Guest-Editor VOLUME 4/2019 - Issue 2 [GENDER MATTERS], Pages: 273 - 279 doi: 10.15274/tpj.2019.04.02.12, published: 2020-02-07
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Article

Women Who Design “Master” Bedrooms: A Study of Kerala Women in Architectural Practice

by: Soumini Raja , Sumitra Nair VOLUME 4/2019 - Issue 2 [GENDER MATTERS], Pages: 429 - 447 doi: 10.15274/tpj.2019.04.02.9, published: 2020-02-05

While the practice of architecture has traditionally been a male-dominated field in India, gender discourse in architecture has been slowly shifting the gender balance towards an increased participation of women in architectural practice and academics, as both leaders and team members. This paper explores the nuances of feminist spatial practices locating itself in the state of Kerala, India, that has historically unique gender politics. The paper draws on an ethnographically informed study of twelve women architects, using “Master Bedrooms” as a discursive tool to capture their engagement in professional practice. The study revealed that the critical feminist spatial practice is not watertight nor a conscious way of practice. It does not even require conformity to any one idea of feminism. These women practitioners deploy multiple modes of engaging with and challenging the dominant norms of professional practice. These range from conscious acts of individual subversion to organizational structuring, from overt challenges to quiet resistance. This paper offers to problematise contemporary discourse on critical feminist spatial practices in the context of India and thereby, contribute to critical spatial pedagogies.

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Article

On the Work of Lisbeth Sachs: From the Aesthetic to the Environmental Impact of Architecture

by: Stamatina Kousidi VOLUME 4/2019 - Issue 2 [GENDER MATTERS], Pages: 481 - 501 doi: 10.15274/tpj.2019.04.02.8, published: 2020-01-23

Characterized by continuity, inventiveness, and a fervent exploration of the relationship between architecture and the environment at large, the work of Lisbeth Sachs was included in the 1979 issue of the Aktuelles Bauen magazine on women and architecture. This contribution proposes an in-depth review of Sachs’ underexplored work, suggesting a better understanding of her role as a practicing woman architect at a time when this task was not a matter of course. It places an emphasis on the dialogue Sachs established with her contemporaries, on the dense network of experiences that shaped her design approach, and on the ways it intersected with the late twentieth-century discourse on the relationship between architecture, ecology, and nature. It is not coincidental that the work of Frei Otto would have a long-lasting influence on Sachs’ design experimentation, informing her theoretical and applied design projects. Her design exploration, too, was influenced by the technological advances, the societal changes and the shifts in the cultural agency of  architecture, proposing each time a solution that addressed, rather than excluded, its surrounding context, cultural, physical, or environmental. 

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Article

The W@ARCH.PT as an Ongoing Feminist Research Project in Architecture: Contextualizing Initial Reflections

by: Patrícia Santos Pedrosa VOLUME 4/2019 - Issue 2 [GENDER MATTERS], Pages: 391 - 402 doi: 10.15274/tpj.2019.04.02.7, published: 2020-01-16

In Portugal, the participation of female architects in the development of the profession – in the broad sense of the word: project, research, education, criticism, and policy – is far from having been identified, problematized, and disseminated. The research project  W@ARCH.PT (Women Architects in Portugal: Building Visibility, 1942-1986) strives to give visibility to female architects – revealing “who?”, “when?”, and “how?” – and contribute to expanding the history of Portuguese architecture, as well as developing feminist studies and ideas within the discipline. The strategies chosen to carry out this ongoing research intersect with feminist theories and epistemologies, outside and inside architecture. The issues raised require a critical understanding of the processes that sustain the silencing of female architects’ voices, imposing limitations on how we understand the profession in its many facets. The feminist historical reflection that we propose is based on the idea that combining the production of knowledge and professional practices is crucial to change gender biases and women’s oppression in both fields.

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